Las artes. Bellas artes y artes decorativas

Materia
E-book, Picturing Peace : Photography, Conflict Transformation, and Peacebuilding, Bloomsbury Publishing
E-book, Modernist Aesthetics in Transition : Visual Culture of the Weimar Republic and Nazi Germany, Bloomsbury Publishing
E-book, Moscow Conceptualism, 1975-1985 : Words, Deeds, Legacies, Bloomsbury Publishing
E-book, Jewish Dealers and the European Art Market, c. 1860-1940 : Negotiating Cultural Modernity, Bloomsbury Publishing
E-book, Manifesta, Art, Society and Politics : Creating a New Europe through Contemporary Art, Bloomsbury Publishing
E-book, Where Words and Images Meet, Bloomsbury Publishing
E-book, À qui appartient la beauté?, ÉditionsLaDécouverte
E-book, The Thefts of the Mona Lisa : The Complete Story of the World's Most Famous Artwork, Rowman & Littlefield Publishers
E-book, Learning to Look : Velazquez, Fra Angelico, Canaletto, Pollock, The Lutterworth Press
E-book, Art and Biotechnology : Viral Culture from CRISPR to COVID, Bloomsbury Publishing
E-book, Humor in Global Contemporary Art, Bloomsbury Publishing
E-book, Pop & Postfeminism : Female Dandyism in Popular Music, Bloomsbury Publishing
E-book, Medieval Mausoleums, Monuments, and Manuscripts : French Royal Women's Patronage from the Twelfth to the Fourteenth Centuries, Brepols Publishers
E-book, Picturing Peace : Photography, Conflict Transformation, and Peacebuilding, Bloomsbury Publishing
E-book, Galleria di sguardi : casi editoriali del mondo dell'arte, EDUCatt
E-book, Jewish Dealers and the European Art Market, c. 1860-1940 : Negotiating Cultural Modernity, Bloomsbury Publishing
E-book, Royal Jewels of Poland and Lithuania : Collections of the Jagiellon and Vasa Dynasts, Brepols Publishers
E-book, Life in the Georgian Parsonage : Morals, Material Goods and the English Clergy, Bloomsbury Publishing
E-book, The Social World of Galleries : Contemporary Art, the Market and Internationalization, Bloomsbury Publishing
E-book, Printing Colour 1700-1830 : Histories, Techniques, Functions, and Receptions, The British Academy
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